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O'Brien, David Strobel, Heidi Anne 2015-09-28T15:52:55Z 2015-09-28T15:52:55Z 10000-01-01 2002 2002 "Charlotte supported all types of visual culture, but especially of the so-called ""minor arts,"" such as engraving, embroidery, transparencies (illuminated paintings), wax modeling and miniature painting, fields which were traditionally open to or dominated by women. My dissertation demonstrates that Charlotte did not promote hierarchical distinctions prevalent in the larger art world, such as that between oil painting and the minor arts. Her patronage supplemented the limited opportunities available to women artists in other institutions and to create new career possibilities for women. The growth of such specifically feminine artistic patronage and production has, however, gone almost unnoticed by Georgian art historians. My dissertation supplies the history of one such circle: the alternative center for female creativity provided by Charlotte and the English court." Made available in DSpace on 2015-09-28T15:52:55Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3044233.pdf: 21922171 bytes, checksum: d0095d88d03a98093b66aee0dcaf61c9 (MD5) Previous issue date: 2002 Embargo set by: Seth Robbins for item 88645 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 488 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2002. http://hdl.handle.net/2142/87364 (MiAaPQ)AAI3044233 eng History, European Artistic Patronage at the Court of Queen Charlotte text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.