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Fineberg, Jonathan Seppi, Lisa Ann 2015-09-28T15:53:01Z 2015-09-28T15:53:01Z 10000-01-01 2005 2005 This dissertation, the first monographic treatment of WalkingStick's work, follows a chronology of her career tracing the growth and progression of WalkingStick's aesthetic and intellectual concerns as they have developed around three recurring elements: the body, abstraction, and landscape. In order to situate WalkingStick's work within a broader context of philosophical, social and psychological issues, her oeuvre is recontextualized in relation to the larger discourse of American art history, including feminist art history and representations of the female nude, the metaphysics of modernism and abstract art, and late twentieth century practices of landscape painting, and in a dialectic with artists, not restricted to those of Native American descent, whose work articulates physical, psychological, conceptual, and spiritual connections between personal identity and the land. Made available in DSpace on 2015-09-28T15:53:01Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3202169.pdf: 6433076 bytes, checksum: c77aa5e8f550ba648ec1b87bc1650fea (MD5) Previous issue date: 2005 Embargo set by: Seth Robbins for item 88653 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 322 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2005. http://hdl.handle.net/2142/87372 (MiAaPQ)AAI3202169 eng Women's Studies Metaphysics and Materiality: Landscape Painting and the Art of Kay WalkingStick text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.