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Hedeman, Anne D. Bradbury, Carlee A. 2015-09-28T15:53:02Z 2015-09-28T15:53:02Z 10000-01-01 2007 2007 My focus on the relationship between representations of Jews and the people who made and used these representations fills a significant gap in existing scholarship. My definition of the visual community, as constructed by the complex and nuanced relationship between the choices of an artist, the experience of the viewer, and the structure of an image, draws on work by Stanley Fish and Gabrielle Spiegel that is complemented by recent studies of the Jew as a necessary construct by Gavin Langmuir and Jeremy Cohen. Situating visualized Jews within each community's unique visual culture provides the opportunity to merge traditional art historical methods with pioneering interdisciplinary work, in order to allow for a more complete reading of the Jew in medieval England. Made available in DSpace on 2015-09-28T15:53:02Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3301105.pdf: 10353174 bytes, checksum: 62f892e21549c67e780966255f5dd1c8 (MD5) Previous issue date: 2007 Embargo set by: Seth Robbins for item 88658 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 282 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007. http://hdl.handle.net/2142/87377 (MiAaPQ)AAI3301105 eng Jewish Studies Imaging and Imagining the Jew in Medieval England text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.