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oai:www.ideals.illinois.edu:2142/87381 2023-07-11 col_2142_5131 col_2142_17355 com_2142_5130 com_2142_14307 com_2142_5126

Jordana Mendelson Carbonell-Coll, Gisela M. 2015-09-28T15:53:05Z 2015-09-28T15:53:05Z 10000-01-01 2009 2009 Based mostly on close analyses and observations of a selection of paintings and collages as case studies, the study combines that approach with careful attention to archival materials, unpublished correspondence, period criticism, and the artist's own writings. The intention of this dissertation is to situate the work of one of the most influential and complex artists of the twentieth century within an analytical framework shaped in part by recent theorists and art historians while constructing an original and innovative reading of the images and their function in their original context. Made available in DSpace on 2015-09-28T15:53:05Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 3362743.pdf: 9951298 bytes, checksum: 6fd11b28fdac855e650fffd908c7b8cb (MD5) Previous issue date: 2009 Embargo set by: Seth Robbins for item 88662 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 241 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009. http://hdl.handle.net/2142/87381 (MiAaPQ)AAI3362743 eng Fine Arts A Spaniard in New York: Salvador Dali and the Ruins of Modernity 1940-1948 text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.