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        <identifier>oai:www.ideals.illinois.edu:2142/87382</identifier>
        <datestamp>2023-07-11</datestamp>
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        <thesis xmlns="http://www.ndltd.org/standards/metadata/etdms/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.ndltd.org/standards/metadata/etdms/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdms11.xsd http://purl.org/dc/elements/1.1/ http://www.ndltd.org/standards/metadata/etdms/1.1/etdmsdc.xsd">
          <dc:contributor>Eric Hostetter</dc:contributor>
          <dc:creator>Martinez, Victor Manuel</dc:creator>
          <dc:date>2015-09-28T15:53:05Z</dc:date>
          <dc:date>2015-09-28T15:53:05Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>2009</dc:date>
          <dc:date>2009</dc:date>
          <dc:description>"My dissertation traces the Italic roots for the iconographies and roles of Herakles in central and northern Italy (i.e., Etrusco-Italic Hercle) prior to Roman hegemony (ca. 1000--300 BCE). The thesis begins with the premise that this hero-god, commonly known as Hercle, after his Greek namesake, may have had an indigenous ancestry on the Italic peninsula. I argue that, although one cannot trace a direct teleological evolution for Hercle that goes back to the beginning of anthropomorphization, earlier and more anonymous Italic hero-figures embody indigenous and deeply rooted cultural meanings that are evident in subsequent representations of Hercle. In shaping my theorization of the indigenous, Italic roots of Hercle, I draw especially on the work of Richard White and Mary Helms. White's concept of the ""middle ground,"" which refers to both a geographic location (literally a space of interaction) and a cultural stance (the overlap or place between two differing cultures) is a compelling lens through which to understand the interaction between Greeks and Italic populations. Helms outlines a theory of how distance affects the formation of ideology among ruling elites, such that spatial and temporal distances become linked and equivalent on a cosmological scale. In applying these ideas to the study of objects, I used quantitative elements such as iconography and materiality to get at underlying socio-cultural structure and meaning at both local and regional levels."</dc:description>
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  Previous issue date: 2009</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 88663
Lift date: Forever
Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:description>641 p.</dc:description>
          <dc:description>Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2009.</dc:description>
          <dc:identifier>http://hdl.handle.net/2142/87382</dc:identifier>
          <dc:identifier>(MiAaPQ)AAI3406781</dc:identifier>
          <dc:language>eng</dc:language>
          <dc:subject>Classical Studies</dc:subject>
          <dc:title>Etrusco-Italic Hercle: A Study in the Formation of Image, Cult, and Regional Identity</dc:title>
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            <department>Art History</department>
            <discipline>Art History</discipline>
            <grantor>University of Illinois at Urbana-Champaign</grantor>
            <level>Dissertation</level>
            <name>Ph.D.</name>
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