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Katherine E. Manthorne McDonald, Gay Rose 2015-09-28T15:53:09Z 2015-09-28T15:53:09Z 10000-01-01 1999 1999 Drawing on my archival research at MoMA, the Archives of American Art, and the National Archives I analyze the three major historical surveys of American art sent abroad by MoMA during the fifties: 12 Modern American Painters and Sculptors (1953); 50 Ans d'art aux etats-unis (1955); and The New American Painting (1958--59). Together they define a key phase for the history of the International Program, spanning its tentative beginnings through to the breakthrough for American art in Europe. Using these exhibitions as case studies my project tracks the dialogue between the above institutions, their respective motives, and the ramifications of this association for the emerging American cultural image in Europe. Made available in DSpace on 2015-09-28T15:53:09Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9953091.pdf: 20682147 bytes, checksum: 6de486567f1f7a9cc0769fafd94f0c18 (MD5) Previous issue date: 1999 Embargo set by: Seth Robbins for item 88668 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 399 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999. http://hdl.handle.net/2142/87387 (MiAaPQ)AAI9953091 eng American Studies MoMA in France: The Construction of an *American Cultural Identity text Art History Art History University of Illinois at Urbana-Champaign Dissertation Ph.D.