2026-09-23T03:03:26Z https://www.ideals.illinois.edu/oai-pmh

oai:www.ideals.illinois.edu:2142/87460 2023-07-11 col_2142_5131 col_2142_17378 com_2142_5130 com_2142_17377 com_2142_8903

J. Kevin Newman Worley, Athanasia L.J.Dollmetsh 2015-09-28T16:03:40Z 2015-09-28T16:03:40Z 10000-01-01 1997 1997 The frontispieces succeed in focusing the play for readers. However, the frontispieces and texts are a distorting lens in two respects. The central mediating characters are often very minor characters in the plays themselves, and Terentian ambiguity is systematically ignored. Things are magnified or suppressed to fit the overall schema. Gruninger's editions feature a compelling synergy of text and image. An explicit literary theory rules both, and on occasion overrules Terence himself. Made available in DSpace on 2015-09-28T16:03:40Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9737294.pdf: 9191943 bytes, checksum: bd67cd74c91f6b5dfb501bfc43b85835 (MD5) Previous issue date: 1997 Embargo set by: Seth Robbins for item 88741 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 172 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1997. http://hdl.handle.net/2142/87460 (MiAaPQ)AAI9737294 eng Theater The Renaissance Reception of Terence: Grueninger's Editions of Terence, Strasbourg, 1496/1499 text Classical Philology Classical Philology University of Illinois at Urbana-Champaign Dissertation Ph.D.