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Temira Pachmuss Rutsala, Kirsten May 2015-09-28T16:22:14Z 2015-09-28T16:22:14Z 10000-01-01 1999 1999 "In Lolita, Nabokov's Humbert seems to be a metaparody of the underground man. Both narrators compose confessions which alternate between candor and obfuscation, between pronouncements of their guilt and self-justifying declarations of innocence. The most significant ""revision"" of Notes from the Underground in Lolita is Humbert's relative success as an artist. While the underground man's notes are circular and unending, Humbert's confession is complete and symmetrical, a transformation of experience into art." Made available in DSpace on 2015-09-28T16:22:14Z (GMT). No. of bitstreams: 2 license.txt: 4848 bytes, checksum: 96035ab3f5e1c23cc7138a224ce498bd (MD5) 9944988.pdf: 9608045 bytes, checksum: 8ff640139155a29e3dab3c10e718aa84 (MD5) Previous issue date: 1999 Embargo set by: Seth Robbins for item 88940 Lift date: Forever Reason: Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs Restricted to the U of I community idenfinitely during batch ingest of legacy ETDs U of I Only 229 p. Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1999. http://hdl.handle.net/2142/87659 (MiAaPQ)AAI9944988 eng Literature, American Metaparody in Selected Literary Works text Slavic Languages and Literatures Slavic Languages and Literatures University of Illinois at Urbana-Champaign Dissertation Ph.D.