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oai:www.ideals.illinois.edu:2142/95449 2023-07-11 col_2142_17395 col_2142_5131 com_2142_181 com_2142_8903 com_2142_5130

Valdivia, Angharad Valdivia, Angharad Turnock, Julie Rodriguez, Richard Hay, James Kozma, Alicia 2017-03-01T16:36:37Z 2017-03-01T16:36:37Z 2019-03-02T10:15:24Z 2016-08-23 2016-12 This dissertation examines the role of gendered authorship in the U.S. film industry and focuses on how women’s directorial labor is represented in film history and its accumulated archives. Specifically, the project evaluates women’s labor in the cinematic paradigm of second wave exploitation films—films produced under the exploitation style from 1960 to 1980—and utilizes a case study of director Stephanie Rothman to articulate the lack of industrial, disciplinary, and archival attention paid to women’s directorial labor and the reverberations of this absence on gendered labor parity in the contemporary film industry. Submission published under a 24 month embargo labeled 'U of I Access', the embargo will last until 2018-12-01 The student, Alicia Kozma, accepted the attached license on 2016-08-12 at 17:04. The student, Alicia Kozma, submitted this Dissertation for approval on 2016-08-12 at 17:09. This Dissertation was approved for publication on 2016-08-23 at 08:56. DSpace SAF Submission Ingestion Package generated from Vireo submission #10111 on 2017-02-28 at 14:35:54 Made available in DSpace on 2017-03-01T16:36:37Z (GMT). No. of bitstreams: 2 KOZMA-DISSERTATION-2016.pdf: 3139043 bytes, checksum: bead62210ebf8fb6bd03b132c4d8650d (MD5) LICENSE.txt: 4209 bytes, checksum: a399aa4cf9213429b54521f4e0c09fc3 (MD5) Previous issue date: 2016-08-23 Embargo set by: Seth Robbins for item 98565 Lift date: 2019-03-01T16:37:19Z Reason: Author requested U of Illinois access only (OA after 2yrs) in Vireo ETD system U of I Only Restriction Lifted for Item 98565 on 2019-03-02T10:15:24Z. application/pdf http://hdl.handle.net/2142/95449 en Copyright 2016 Alicia Kozma film history gender studies cinema studies labor studies archives exploitation film feminist film history critical cultural studies The limits of exceptional women: the cinema of Stephanie Rothman and the trouble with archives text text Inst of Communications Rsch Communications and Media University of Illinois at Urbana-Champaign Dissertation Ph.D.