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        <identifier>oai:www.ideals.illinois.edu:2142/98595</identifier>
        <datestamp>2023-07-11</datestamp>
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          <dc:creator>Coker, Wilson William</dc:creator>
          <dc:date>2017-11-30T21:01:13Z</dc:date>
          <dc:date>2017-11-30T21:01:13Z</dc:date>
          <dc:date>10000-01-01</dc:date>
          <dc:date>1965</dc:date>
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  Previous issue date: 1965</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 104116
Lift date: 2019-11-30T21:01:19Z
Reason: Electronic Theses and Dissertation</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 104116
Lift date: 2019-11-30T21:03:43Z
Reason: Electronic Theses and Dissertation</dc:description>
          <dc:description>Embargo set by: Seth Robbins for item 104116
Lift date: Forever
Reason: Electronic Theses and Dissertation</dc:description>
          <dc:description>Electronic Theses and Dissertation</dc:description>
          <dc:description>U of I Only</dc:description>
          <dc:description>D.M.A. University of Illinois at Urbana-Champaign 1965</dc:description>
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          <dc:rights>Copyright 1965 Wilson William Coker</dc:rights>
          <dc:subject>Meyer, Leonard B.</dc:subject>
          <dc:subject>Music -- Philosophy and aesthetics</dc:subject>
          <dc:subject>Music -- Psychological aspects</dc:subject>
          <dc:subject>Symphonies</dc:subject>
          <dc:title>The roots of musical meaning with special reference to Leonard B. Meyer's theory</dc:title>
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            <name>A.Mus.D. (doctoral)</name>
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