Sounding the last mile: Music and capital punishment in the United States since 1976

Siletti, Michael James

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https://hdl.handle.net/2142/102495 Copy

Description

Title

Sounding the last mile: Music and capital punishment in the United States since 1976

Author(s)

Siletti, Michael James

Issue Date

2018-12-07

Director of Research (if dissertation) or Advisor (if thesis)

Magee, Jeffrey

Doctoral Committee Chair(s)

Magee, Jeffrey

Committee Member(s)

• Magee, Gayle
• Buchanan, Donna A.
• Bashford, Christina

Department of Study

Music

Discipline

Musicology

Degree Granting Institution

University of Illinois at Urbana-Champaign

Degree Name

Ph.D.

Degree Level

Dissertation

Keyword(s)

• music
• capital punishment
• death penalty
• sound
• death
• popular music
• film
• history
• politics
• execution
• United States
• prison
• murder
• crime
• media
• law
• race
• gender
• violence
• spectacle
• song
• Illinois
• Texas
• acoustemology
• journalism
• art

Abstract

Since the United States Supreme Court reaffirmed the legality of the death penalty in 1976, capital punishment has drastically waxed and waned in both implementation and popularity throughout much of the country. While studying opinion polls, quantitative data, and legislation can help make sense of this phenomenon, careful attention to the death penalty’s embeddedness in cultural, creative, and expressive discourses is needed to more fully understand its unique position in American history and social life. The first known scholarly study to do so, this dissertation examines how music and sound have responded to and helped shape shifting public attitudes toward capital punishment during this time. From a public square in Chicago to a prison in Georgia, many people have used their ears to understand, administer, and debate both actual and fictitious scenarios pertaining to the use of capital punishment in the United States. Across historical case studies, detailed analyses of depictions of the death penalty in popular music and in film, and acoustemological research centered on recordings of actual executions, this dissertation has two principal objectives. First, it aims to uncover what music and sound can teach us about the past, present, and future of the death penalty. Second, it considers what the death penalty reveals about music, sound, and the extent to which they can serve as vital sources of information, knowledge, and emotion. Ultimately, I hope to inspire further musicological research on this complex and controversial practice in the United States and in other countries.

Graduation Semester

2018-12

Type of Resource

text

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http://hdl.handle.net/2142/102495

Copyright and License Information

Copyright 2018 Michael Siletti

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