Venice Biennale 2017: Salon des Réfugiés

Cheon, Mina

Permalink

https://hdl.handle.net/2142/112883 Copy

Description

Title

Venice Biennale 2017: Salon des Réfugiés

Author(s)

Cheon, Mina

Issue Date

2018-09

Keyword(s)

• Antarctica
• homes
• states

Abstract

This single review of a sprawling international exhibition takes as a conceit the comparison of three Pavilions within the 2017 Venice Biennale – that of Korea, the United States, and Antarctica. The author seizes on the opportunity afforded by the esteemed event’s organization around nation-states to reflect on the radical ways in which the exhibited artists are engaged with the distinct challenges and struggles of their respective homes (or non-homes). This essay is therefore an attempt to culturally compare with nuanced interpretation, as a way to stay close to the formation and ramification of world culture today. To diversify the potential in the read, the piece calls to unfold in rhetoric of postcolonial terms, related to new media scholarship.

Series/Report Name or Number

Media-N, vol. 14, issue 1

Type of Resource

text

Language

en

Permalink

http://hdl.handle.net/2142/112883

DOI

https://doi.org/10.21900/j.median.v14i1.65

Copyright and License Information

• Copyright 2018 Mina Cheon
• This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License (https://creativecommons.org/licenses/by-sa/4.0/).

Owning Collections