A Comparative Study of Selected Jazz Piano Solos from Three Pre-Bebop, Bebop, Post-Bop Pianists: Teddy Wilson, Phineas Newborn Jr., And Herbie Hancock
Lewis-Nicol, Leon
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https://hdl.handle.net/2142/128313
Description
Title
A Comparative Study of Selected Jazz Piano Solos from Three Pre-Bebop, Bebop, Post-Bop Pianists: Teddy Wilson, Phineas Newborn Jr., And Herbie Hancock
Author(s)
Lewis-Nicol, Leon
Issue Date
2025
Director of Research (if dissertation) or Advisor (if thesis)
Gray, Larry
Doctoral Committee Chair(s)
Gray, Larry
Committee Member(s)
Lund, Erik
Pugh, Jim
Reagan, Maureen
Department of Study
School of Music
Discipline
Music
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
A.Mus.D. (doctoral)
Date of Ingest
2025-05-14T11:23:40-05:00
Keyword(s)
Pre-bebop
Bebop
Post-bebop
Teddy Wilson
Phineas Newborn Jr
Herbie Hancock
Jazz piano solos
Jazz improvisation
Language
eng
Abstract
Improvisation is a major component of jazz music, and understanding its history and styles gives a more solid foundation and many options for creative direction to the jazz improvisor. This knowledge informs the depth and versatility of one’s improvisational language.
This scholarly essay with accompanying lecture recitals hopes to equip jazz pianists and other interested readers with a new perspective on jazz piano improvisation through analysis of selected solos by a representative major jazz pianist from each of three eras (pre-bebop, bebop,
and post-bebop). Pianists Teddy Wilson, Phineas Newborn Jr., and Herbie Hancock will be discussed in this essay. These three pianists were chosen for their distinctive artistic voices that highlight the improvisational conventions of their respective eras and the stylistic influences of
other prominent figures within those periods. While there are many highly influential and esteemed jazz pianists, this selection proves fruitful for the purposes of this essay.
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