Spectralité et critique de la laideur : l’engagement postcolonial dans la littérature en français de la nouvelle génération d’écrivains africains
Sarr, Awa C.
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https://hdl.handle.net/2142/16985
Description
Title
Spectralité et critique de la laideur : l’engagement postcolonial dans la littérature en français de la nouvelle génération d’écrivains africains
Author(s)
Sarr, Awa C.
Issue Date
2010-08-31T20:03:06Z
Director of Research (if dissertation) or Advisor (if thesis)
Mall, Laurence
Fresco, Alain D.
Doctoral Committee Chair(s)
Mall, Laurence
Committee Member(s)
Fresco, Alain D.
Mathy, Jean-Philippe
Kuntz, Jane
Department of Study
French
Discipline
French
Degree Granting Institution
University of Illinois at Urbana-Champaign
Degree Name
Ph.D.
Degree Level
Dissertation
Keyword(s)
Francophone literature
sub-saharan literature
immigration literature, committed literature
litterature engagee
postcolonial literature
Abstract
This dissertation examines the new generation of Francophone African writers and their negotiation of the theory of “engagement.” Thematically, many of these writers deal with the daunting problems faced by Africa and with issues linked to emigration to France. But they also have to work with French publishing houses and their exigencies as they relate to the international book market. The writers themselves aspire to be integrated in the “World Republic of Letters”. But such concepts as “World Literature in French” or “World Republic of Letters,” while more appealing to the new generation than the old Sartrian theory of “engagement,” do not always accommodate a commitment to specific, regional causes. I argue that because many writers may have divided loyalties and conflicting interests, their works of fiction manifest interesting, subtle ways of understanding and practicing a postcolonial “engagement.” Theories such as “hauntology” and post-realism can be used to account for some of their writings’ main features. To demonstrate this with specific examples, I study individual novels by Simon Njami, Daniel Biyaoula and especially Alain Mabanckou.
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