Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics

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https://hdl.handle.net/2142/85883

Title: Whose Music Is It, Anyway? Black Vocal Ensemble Traditions and the Feminist Choral Movement: Performance Practice as Politics
Author(s): Boerger, Kristina Gisele
Issue Date: 2000
Doctoral Committee Chair(s): Thomas Turino
Department of Study: Music
Discipline: Music
Degree Granting Institution: University of Illinois at Urbana-Champaign
Degree Name: A.Mus.D.
Degree Level: Dissertation
Keyword(s): Black Studies
Language: eng
Abstract: A case study of Cincinnati's MUSE---founded and directed by choral Feminism's pioneer Catherine Roma---explores how this chorus alone in the movement began as a White organization but became truly racially integrated.
Graduation Semester: 2000
Type of Resource: text
Permalink: http://hdl.handle.net/2142/85883

Graduate Theses and Dissertations at Illinois