Irish modernism and the machine

Weng, Julie McCormick

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https://hdl.handle.net/2142/90906 Copy

Description

Title

Irish modernism and the machine

Author(s)

Weng, Julie McCormick

Issue Date

2016-04-18

Director of Research (if dissertation) or Advisor (if thesis)

Mahaffey, Vicki

Doctoral Committee Chair(s)

Mahaffey, Vicki

Committee Member(s)

• Hansen, Jim
• Gaedtke, Andrew
• Conrad, Kathryn

Department of Study

English

Discipline

English

Degree Granting Institution

University of Illinois at Urbana-Champaign

Degree Name

Ph.D.

Degree Level

Dissertation

Keyword(s)

• Modernism
• Machine
• Literature
• Ireland
• Enlightenment
• Electrification
• Electricity
• Technology
• Industrialization
• History of Science
• History of Technology
• Cosmopolitanism
• Nationalism
• Irish Literary Revival
• Bicycle
• Train
• Tram
• Railways
• Dynamo
• Power Generator
• Body
• Masculinity
• Femininity
• Sexuality
• Gender
• Gender Roles
• Irish Literature
• Irish Modernism
• James Joyce
• W. B. Yeats
• John Eglinton
• William Kirkpatrick Magee
• Samuel Beckett
• Elizabeth Bowen
• E. M. Forster
• H. G. Wells
• Henry Adams
• Eugene O'Neill
• Filippo Tommaso Emilio Marinetti
• Ulysses
• Finnegans Wake
• Molloy
• Dublin
• Futurism
• Epic
• Materialism

Abstract

"This dissertation argues that John Eglinton, James Joyce, Elizabeth Bowen, W.B. Yeats, and Samuel Beckett depict machines in texts in order to interrogate the status of Ireland's modernity. Are trains, dynamos (power generators), and bicycles signs of Ireland’s progress? Instead of an affirmation, I posit that Irish modernists issue a qualification, suggesting that Ireland’s technological development must be accompanied by ideological advancement. Irish modernists thus cast machines as vehicles that operate beyond the bounds of their mechanistic functions. These machines serve also as engines from which to lobby for Ireland’s social, cultural, and ideological progress. With this premise in mind, these writers use images of machines to: 1) envision a cosmopolitan national literary revival movement; 2) redress negative stereotypes of Ireland and Irish people as being ""backwards""; 3) reject the post-enlightenment belief in a disenchanted, merely rational world; and 4) counter traditional gender and sexual roles. In all of these instances, Irish modernists endorse outlooks that go against traditional social and cultural grains. Rather, they insist that modernization is a process that necessitates ideological, and not just technological, advancement. Moreover, Irish modernists show that it is only by pushing the boundaries of popular beliefs and practices—and not just the limits of scientific knowledge—that Ireland will embrace a modern identity that engages meaningfully with the complexities of the age."

Graduation Semester

2016-05

Type of Resource

text

Permalink

http://hdl.handle.net/2142/90906

Copyright and License Information

Copyright 2016 Julie McCormick Weng

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