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Showing 1–30 of 337 items

REEC 2010 Annual Conference: Soundscapes of the Spirit: Cosmology and Sound Art from the Black to the Aral Seas

Russian, East European and Eurasian Center, University of Illinois at Urbana-Champaign; Currie, Gabriela; Buchanan, Donna A.

Thumbnail for Organological geopolitics and the Balaban of Azerbaijan: comparative musical dialogues concerning a double-reed aerophone of the post-Soviet Caucasus

Organological geopolitics and the Balaban of Azerbaijan: comparative musical dialogues concerning a double-reed aerophone of the post-Soviet Caucasus

Kipp, Natasha

Exiled nostalgia and musical remembrance: songs of grief, joy, and tragedy among Iraqi Jews

Carrizo, Liliana

Song hunters in Svaneti: Musical tourism and other intercultural encounters in highland Georgia

Knight, Matthew E.

Even odd can swing: Traditional Balkan meters and their application to modern jazz drumming

Đokić, Nikola • 2022

My Voice Is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance

McDonald, David A.

Music and entertainment in post-Soviet Kazakhstan: ideology and legacy

Adams, Margarethe A.

Nostalgia, emotionality, and ethno-regionalsim in Pontic parakathi singing

Tsekouras, Ioannis

Affinities and innovations in selected piano music of Béla Bartók and György Ligeti

Xue, Lishan

Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets

Flesner, Diana Jeanne

Bulgarian viola repertoire: a historical perspective and pedagogical analysis

Nelson, Lisa

Urtiin duu: performing musical landscapes and the Mongolian nation

Carrizo, Liliana

"Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style"

Matova, Nelly

Composing the Sacred in Soviet and Post-Soviet Russia: History and Christianity in Alfred Schnittke's Concerto for Choir

Turgeon, Melanie Edwardine

Thumbnail for Nostalgia, landscape, and social criticism in Brooklyn Babylon: a contemporary theatrical work by jazz composer Darcy James Argue and media artist Danijel Žeželj

Nostalgia, landscape, and social criticism in Brooklyn Babylon: a contemporary theatrical work by jazz composer Darcy James Argue and media artist Danijel Žeželj

Blackall, Karen F.

Unfamiliar sounds in familiar settings: On the cosmopolitan labour of film composers in Istanbul

Hartley, Paul Derrick George

Thumbnail for Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

Matova, Nelly

Evoking the music of Ecuador's Hatun Puncha-Inti Raymi Festival: A new work for symphonic flute

Lima Guaman, Rocio

Colonial Music, Confraternities, and Power in the Archdiocese of Lima

Young, Kydalla E.

Nordestina negotiations: Alternative femininities, gendered and musical self-production in Recife, Pernambuco, Brazil

Rice, Ellen McKay

Singing knowledge: aesthetics, authority and gender in Skyrian music (Greece)

Glaros, Angela C.

From place to placelessness: Malawian musicians, commercial music, and social worlds in southern Africa

Deja, Richard Michael

Sounding the last mile: Music and capital punishment in the United States since 1976

Siletti, Michael James

Broken windows and dancing bodies: Politics of movement in New York City’s salsa scene

Blefko, Sydney

Thumbnail for Adam Bronisław Ciechański (1882-1957): A Consideration Of Repertoire For The Double Bass Inspired By A Forgotten Virtuoso And Father Of The Polish Double Bass School

Adam Bronisław Ciechański (1882-1957): A Consideration Of Repertoire For The Double Bass Inspired By A Forgotten Virtuoso And Father Of The Polish Double Bass School

Capoccioni, Hunter

Marimba music, boundaries of diaspora, and epistemologies of the Colombian border in Esmeraldas, Ecuador

Wellington, Peter Judkins

Reaching through the Iron Curtain: Practicalities in the Anglo-Soviet cultural exchange of music and musicians, 1955-1975

Miller, Thornton

Queering the body: cross-dressing performance and identity politics in Cantonese opera of post-1950s Hong Kong

Tse, Priscilla

Finding flamenco in Sketches of Spain: An analytical study of musical transmission

Stark, Brian

Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa

Bruinders, Sylvia

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REEC 2010 Annual Conference: Soundscapes of the Spirit: Cosmology and Sound Art from the Black to the Aral Seas

Organological geopolitics and the Balaban of Azerbaijan: comparative musical dialogues concerning a double-reed aerophone of the post-Soviet Caucasus

Exiled nostalgia and musical remembrance: songs of grief, joy, and tragedy among Iraqi Jews

Song hunters in Svaneti: Musical tourism and other intercultural encounters in highland Georgia

Even odd can swing: Traditional Balkan meters and their application to modern jazz drumming

My Voice Is My Weapon: Music, Nationalism, and the Poetics of Palestinian Resistance

Music and entertainment in post-Soviet Kazakhstan: ideology and legacy

Nostalgia, emotionality, and ethno-regionalsim in Pontic parakathi singing

Affinities and innovations in selected piano music of Béla Bartók and György Ligeti

Through the Prism of the Wellspring: From National, to Societal, to Individual in Marin Goleminov's String Quartets

Bulgarian viola repertoire: a historical perspective and pedagogical analysis

Urtiin duu: performing musical landscapes and the Mongolian nation

"Petr Eben's Oratorio ""Apologia Sokratus"" (1967) and Ballet ""Curses and Blessings"" (1983): An Interpretative Analysis of the Symbolism Behind the Text Settings and Musical Style"

Composing the Sacred in Soviet and Post-Soviet Russia: History and Christianity in Alfred Schnittke's Concerto for Choir

Nostalgia, landscape, and social criticism in Brooklyn Babylon: a contemporary theatrical work by jazz composer Darcy James Argue and media artist Danijel Žeželj

Unfamiliar sounds in familiar settings: On the cosmopolitan labour of film composers in Istanbul

Petr Eben's oratorio Apologia Sokratus (1967) and ballet Curses and Blessings (1983): An interpretative analysis of the symbolism behind the text settings and musical style

Evoking the music of Ecuador's Hatun Puncha-Inti Raymi Festival: A new work for symphonic flute

Colonial Music, Confraternities, and Power in the Archdiocese of Lima

Nordestina negotiations: Alternative femininities, gendered and musical self-production in Recife, Pernambuco, Brazil

Singing knowledge: aesthetics, authority and gender in Skyrian music (Greece)

From place to placelessness: Malawian musicians, commercial music, and social worlds in southern Africa

Sounding the last mile: Music and capital punishment in the United States since 1976

Broken windows and dancing bodies: Politics of movement in New York City’s salsa scene

Adam Bronisław Ciechański (1882-1957): A Consideration Of Repertoire For The Double Bass Inspired By A Forgotten Virtuoso And Father Of The Polish Double Bass School

Marimba music, boundaries of diaspora, and epistemologies of the Colombian border in Esmeraldas, Ecuador

Reaching through the Iron Curtain: Practicalities in the Anglo-Soviet cultural exchange of music and musicians, 1955-1975

Queering the body: cross-dressing performance and identity politics in Cantonese opera of post-1950s Hong Kong

Finding flamenco in Sketches of Spain: An analytical study of musical transmission

Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa

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